|
Kanopy Dance Company (Madison, WI)
www.kanopydance.org
Hailed by critics as “soulfully
fearless," “a creative triumph,” and providing a “rivetingly bold
evening of contemplative dance theater," Kanopy Dance Company's
expressionistic and emotionally charged works combine the dramatic
physical integrity of modern dance and contemporary ballet with
dance-theater. The company’s repertory features works by its
Artistic Directors, as well as local, regional, national and
international choreographers, all linked by the desire to create
thought-provoking dance that is elegant, bold, humorous, even
romantic--and always compelling. Founded in 1976, Kanopy has been under
the artistic direction of Robert E. Cleary and Lisa Thurrell since 1995.
“a powerful, sophisticated
program and commanding performances.”--
Karynn Saemann, Capital Times (2013)
“... a rivetingly bold evening of contemplative dance theater... the
Graham-inspired dancing was excellent as expected. What really shone
was the ability of the dancers not just to move, but to also
successfully pull off the choreography’s exhausting, often wrenching
emotional demands and intensely serious mood.” - -Karynn Saemann, Capital Times (2010)
Touring Programs
Kanopy
Dance Company has both Dance and Dance-Theater touring options. Kanopy
Dance Company’s Dance-Theater programs are suited for larger venues
while its Signature Dance is the perfect choice for smaller or midsize
venues. Presenters may choose from either and the company will tailor
to their programming needs.
Kanopy is well equipped to present Dance and Physical Theater
residencies, master classes, and lecture demonstrations suited to the
needs of a variety of age groups and curriculums (K-12 and
University/College programming).
Tours with 6-10 dancers
Dance-Theatre Touring Programs
(10 dancers):
“Monkey see,
monkey do”
This evening length dance-physical theatre work is entertaining,
humorous, creepy and a bit film noir. Created by Amit Lahav, Artistic
Director, Gecko Physical Theater, from the United Kingdom.
“...the unsettling macabre story of a scientist who kidnaps a girl in
order to transplant her good soul into a woman whose soul is rotten.
Among the great moments: Robert Cleary 's darkly hilarious portrayal of
a desk clerk in police precinct-like building, where a couple comes
looking for their missing daughter; the emotional depths plumbed by all
of the lead actor-dancers, as they struggled with deep feelings of
loss, desire and guilt; and the quirky frenzy of news reporters as they
skipped and salivated over a potentially juicy story...” -– Karyn
Saemann, Capital Times (2011)
“Antigone”
In this evening-length telling of Antigone, Thurrell has chosen a
non-linear path of images, metaphors and states of being. Antigone is a
story of war, death, hubris, and rule of law. It is a story of protest,
by a young woman against the state. Rather than tell the story from
start to finish, chosen moments, motivations, and emotions are explored
in the unfolding of Antigone. Thurrell also reveals “women of war” who
throughout history lament sons, fathers, and husbands. Created by Lisa
Thurrell, Co Artistic Director, Kanopy Dance Company.
“I was struck by how she told Sophocles' tragedy in a non-linear way.
The dancing isn't bogged down with a predictable retelling, yet the
tale makes a clear and profound mark. Thurrell creates snapshots of
these dramatic moments. Kopulos is striking as Creon, mouthing unjust
words while ignoring the situation he has created. Antigone, played by
the always-excellent Sierra Kay Powell, hurls herself at her oppressors
while a chorus of women react to the horrors of war. Again and again
Antigone faces the audience, one arm reaching to the sky, the other to
the earth. Her standing leg is firmly planted while her other leg is
bent high and to the side. It is a statement of defiance and strength
that really resonates when echoed by the chorus. The original score by
Vicky Tzoumerka-Knoedler is haunting as well. Sections that include
plaintive statements in Greek are unsettling, which suits and supports
the piece.” – Katie Riser, Isthmus/The Daily Page (2013)
Dance Touring Program:
Signature Dance
Kanopy Dance Company’s Signature Dance showcases a collection of works
from the past 18 years created for Kanopy by its Artistic Directors and
guest artists. Works include:
“This is Not
America”
A ballad for our time - Ensemble: 3 men and 1 woman.
“Partita
& Chorales”
A classical modern dance, lush and painterly; uplifting - Ensemble:
6-10 men and women.
“Cassandra’s
Cry”
Steeped in Graham-inspired energy; mythic Cassandra, has the gift of
prophecy, but cursed so no one will believe - Ensemble: 3 women.
“End
Times.... Ebullient Machine”
About Chaos and Redemption with original music and featuring
contemporary ballet mixed with raw and physical post modernism. "The
sun stops. It is a minute past noon. Immediately, everything built by
man collapses on the living and buries them. Only that which has a
semblance of mechanical life lasts two seconds more. We see trains roll
to the end of their course, machines turning empty, planes falling like
dead leaves..." from a 1916 poem by Fr�d�ric Sauser, pseudonym
Blaise Cendrars. – Ensemble: 6-10 men and women.
Performance Calendar
2013
July
|
|
Art Fair On the Square MMOCA, Madison, WI
|
August
|
|
Graham Workshop/re-staging residency Workshop Showing,
Kanopy Studio, Madison, WI
|
September
|
|
Residency and performances,
Madison Public Schools, Madison, WI
|
September
|
|
“Vision, Faith, Desire:Dancemakers Inspired by Martha
Graham”
Ruth Page Theatre, Chicago, IL
|
November
|
|
Season Opener “Martha Graham: Reverence”
Overture Center for the Arts, Madison, WI
|
2014
January
|
|
Showcase, APAP, NYC
|
February
|
|
Season “Puppet Master: Heavy Metal Dance”,
Overture Center for the Arts, Madison, WI
|
April
|
|
Season Closer “Fresh.Organic.Local”,
Overture Center for the Arts, Madison, WI
|
May
|
|
Minnesota Dance Festival, Mpls, MN
|
back to top
|
|
|